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Sitting in the second-floor study of her stone farmhouse in the village of Moncourt, France, her body hunched in front of her scrolled, roll-top desk like a snail confronting its shell, the fifty-one-year-old Patricia Highsmith picked up her favorite Parker fountain pen on a summer’s day in 1972 and confided her feelings about families to her notebook:
One situation—one alone, could drive me to murder: family life, togetherness.
—Biographer Joan Schenkar on becoming partners in crime with America’s great expatriate noir novelist Patricia Highsmith.
(via theparisreview:)
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Sitting in the second-floor study of her stone farmhouse in the village of Moncourt, France, her body hunched in front of her scrolled, roll-top desk like a snail confronting its shell, the fifty-one-year-old Patricia Highsmith picked up her favorite Parker fountain pen on a summer’s day in 1972 and confided her feelings about families to her notebook:

One situation—one alone, could drive me to murder: family life, togetherness.

—Biographer Joan Schenkar on becoming partners in crime with America’s great expatriate noir novelist Patricia Highsmith.

(via theparisreview:)

    • #lit
    • #biography
    • #history
    • #patricia highsmith
    • #noir
  • 8 months ago > theparisreview
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    Man, it’s a dilemma. When I am reading her books, I think “It is a great ambition of mine, being like Patricia...
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    this shot. There’s nothing like a good author photo. theparisreview:
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    My favorite short story, ever of all time, was written by Patricia Highsmith: Where the Door is Always Open and the...
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    One situation—one alone, could drive me to murder: family life, togetherness.
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